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Dal blog di Alessio Brugnoli del 03 Oktober 2010 Neil Snape
Neil, let's start from the classics…. who are you? How would you define yourself with 3 words? Obsessively passionate observer. You were born in Halifax…. can you describe your life there and how was art init? Born there but I grew up in Toronto then on to Vancouver. The west coast is very natural so arts are secondary to outdoors life. Yet these very surroundings inspire many artists in t...
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Dal blog di Don Seastrum del 26 September 2010 The New Florentine Camerata: Abstraction and the Structure of Visual Language in the Fine Arts
One question that has arisen over the past few years and one that artists must begin addressing is the term abstraction. It has been my experience that the application of the term, to a variety of differing works of art, has created a great deal of confusion in relationship to its use as a principle of description, application, assessment and evaluation. Without a firm grasp of the term a...
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Dal blog di Lorenzo Paci del 26 Juli 2010 Naroa Lizar and IARTISTLONDON
For only £ 16 you can buy Everyone I Have Ever Slept With 1963-1995, a famed artwork by Tracey Emin! Would you believe it? Low-cost art for everyone seems to be the motto of IARTISTLONDON, the company born from an idea of Naroa Lizar, 26, a recent graduate of the University for the Creative Arts in Kent: www.saatchi-gallery.co.uk/4ns/studentDetails/Naroa+Lizar/88306 After Marcel Duchamp, Beyu...
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Dal blog di Don Seastrum del 27 Juni 2010 The New Florentine Camerata
I perceive a number of discordant and destructive forces at play in contemporary art, art criticism and aesthetics. Peter Burk wrote in The Italian Renaissance: Culture and Society in Italy, that “every society erects obstacles to the expression of the creativity of some groups…” Within the fields of contemporary art, art criticism and aesthetics, an “obstacle to the expression of the creativity...
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