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Carlos Dugos

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Carlos Dugos was born in Lisbon in 1942. His first works date back to 1957, yet, one year later, he moved to Lorenzo Marques, then the Capital of Mozambique, where he attended an Art School.

In 1977 he carried on with his studies on symbolism as the spiritual language par excelence. To achieve his aim, he attended a course on theology organised by the “Leoninum Orthodoxum Institutum”, sponsored by Sorbonne, while, simultaneously he developed a long workshop practice, which works have never been exhibited. as he considers them to be purely experimental. In one of his notes, in 1980, he wrote: “In Art, an idea - and the feeling that idea is related to - needs an appropriate plastic language in order to be able to express itself properly. The search for that language is constant in me. Exhibiting means having a coherent, articulate and mastered way of communicating. If you accept a public responsibility, you must possess the means to accomplish it.”

In 1988 he was invited to... read all

Carlos Dugos was born in Lisbon in 1942. His first works date back to 1957, yet, one year later, he moved to Lorenzo Marques, then the Capital of Mozambique, where he attended an Art School. In 1977 he carried on with his studies on symbolism as the spiritual language par excelence. To achieve his aim, he attended a course on theology organised by the “Leoninum Orthodoxum Institutum”, sponsored by Sorbonne, while, simultaneously he developed a long workshop practice, which works have never been exhibited. as he considers them to be purely experimental. In one of his notes, in 1980, he wrote: “In Art, an idea - and the feeling that idea is related to - needs an appropriate plastic language in order to be able to express itself properly. The search for that language is constant in me. Exhibiting means having a coherent, articulate and mastered way of communicating. If you accept a public responsibility, you must possess the means to accomplish it.” In 1988 he was invited to keep a temporary “studio” in Palácio da Pena. This was a major experience, as this palace, built in the 19th century by the Austrian Prince Ferdinand of Saxe Coburg Gotta, prince-consort in Portugal through his marriage to the Portuguese Queen, Maria II, is unique in its symbolic architecture. His two-year sojourn in that Wagnerian “eagle’s nest” definitely enriched the metaphysical urge in the painter’s work. Carlos Dugos did some chromatic studies for public buildings in Portuguese towns and villages. His work can be seen in public institutions, private companies and in numerous Portuguese and foreign private collections.

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